Schoeps Microphones

Double M/S Windshield Set Pianissimo, Includes (2) CCM 4 Lg, (1) CCM 8 Lg, Pianissimo PIANI-3 CCM, K DMS 5U, AK DMS/3U

Includes MiniCMIT, Cinela COSI-L MiniCMIT Windshield, MiniCMIT premium case, W 140b and SG 20

Includes MiniCMIT, Rycote Cyclone Windshield Kit Small, MiniCMIT premium case, W 140b and SG 20

Double Mid-Side Condenser Microphone Trio w/ Windshield System

MiniCMIT Miniature Shotgun Microphone, includes W 140b, SG 20 & premium case, Blue

Double Mid-Side Condenser Microphone Trio with Basket-Type Windscreen

CMC 6U amplifier, MK4 Cardioid capsule, SG20 stand clamp, B5 popscreen

(1)

new type of digital shotgun microphone with increased directivity, based on SCHOEPS' extremely successful analog model CMIT 5

(2) CMC6 with MK22 Open Cardioid matched pair, (2) SG20 stand clamps, B5 D popscreens

(2) CMC6 with MK2 Omni matched pair, (2) SG20 stand clamps, B5 D popscreens

(2) CMC6 with MK2 Omni matched pair, (2) SG20 stand clamps, B5 D popscreens

Elastic Double Suspension.

GVCni, Capsule swivel, nickel

This cable is used as an extension cable especially for double M/S.

CMC 6 Microphone Amp and MK 2 Omnidirectional Condenser Capsule

for insertion between any capsule and any amplifier of the Colette Modular System

open cardioid capsule for the Schoeps CMC series mics

CMC 6U amplifier, MK8 figure-eight capsule, SG20 stand clamp, B5 popscreen

CMC 1 Mono Windshield Set, Includes: CMC 1 Ug, MK 41g, Cinela COSI-XS-CMC1, SG 20 stand clamp, premium case for CMC

AK 2L/SU, Adapter cable (2) Lemo to XLR-5M, for CCM_L pair

A20S,SingleElastic Suspension shock mount, w/stiffer elastics,Schoeps

This sphere accessory (40 mm diameter) is for use with omnidirectional microphones

for a microphone with 20 or 21 mm diameter (e.g. CMC and CMBI or CMIT)

for two standard microphones of the Colette modular system

5 m (16') Lemo to  XLR-3M for CCM-L microphones and RL Tubes

pressure transducer with hemispherical pattern. active miniature version of the BLM 3g

microphone capsule (pressure transducer) designed for placement at an acoustic boundary layer

omnidirectional pattern, mild high-frequency rise to compensate for losses at medium recording distance

omnidirectional, for use close to the sound source (frontal sound incidence)

omnidirectional pattern,  high-frequency rise to compensate for losses at moderate recording distances

The CCM 3 is designed for placement in a diffuse sound field, i.e. at distances in reverberant environments

The CCM 41 is strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid.

supercardioid with especially consistent directionality throughout its frequency range

classic cardioid, suitable for the widest range of applications, either as a spot microphone or for stereo recording

cardioid pattern. for pickup of speech or music at close range (under 50 cm)

vertical (side-addressed) cardioid capsule. for a very wide range of recording applications

cardioid for lateral pickup. for pickup of speech or music at close range (under 10 cm)

omni and cardioid patterns, mechanically switchable. slight emphasis of the high frequencies

figure-8 pattern with near-ideal consistency across the frequency range

flat frequency response. extremely low noise and distortion