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Improving on a Great Sound
At PreSonus, we’ve been designing preamps for a long time,
and we always focus on audio quality first. So when we decided to upgrade our popular TubePre V2, we focused on improving an already high-quality sound—without jacking up the price. Like the original TubePre, the new version is a fully professional tube preamp, with a dual-servo (no capacitors) gain stage that lets you boost the program signal to smoking hot levels without significantly increasing the background noise. Discrete components and high-voltage operation offer dynamic range and detail not found in other single-channel tube preamps in its class.
But the TubePre V2 provides an even wider palette of sound options, and a much more focused tube saturation, than the original TubePre. It has been upgraded to employ PreSonus’ popular XMAX™ Class A solid-state preamp, which is followed in the signal path by a 12AX7 vacuum-tube stage. Twist the TubePre V2 Drive saturation control to add the “color” that only a hand-selected 12AX7 vacuum tube can deliver — from gentle warmth to total fuzz.
Versatile and Feature-Rich
Housed in a rugged case, the TubePre V2 rear panel sports separate unbalanced, ¼” instrument and balanced, XLR mic inputs and unbalanced ¼” and balanced XLR line outputs. We’ve included all of the extras you need for professional operation including a high-pass filter, phantom power for condenser mics, polarity reverse switch, and a backlit VU meter.
The TubePre V2 is more than a mic preamp, though.
Thanks to its separate instrument and mic inputs, it also serves as a dynamite direct box (DI) for guitars and basses. And it’s small enough to carry almost anywhere, although you also can screw-mount it to a standard rack tray.
So if you are a fan of our original TubePre, you’re going to love the improved TubePre V2. And if you are checking out the TubePre for the first time, your ears are in for a real treat. Then check out the amazing low price—but sit down first because you’re in for a shock. Because with PreSonus, big sound does not have to cost big bucks.
Mic Input |
Connector Type |
XLR, female, balanced |
EIN |
-131 dB, 20 kHz BW, max gain, Rs=40Ω, A-wtd -128 dB, 20 kHz BW, max gain, Rs=40Ω, unwtd |
Frequency Response |
20 Hz – 20 kHz, -0.3 dB, +4 dBu, unity gain 5 Hz - 120 kHz, -3 dB, +4 dBu, unity gain |
THD+N |
0.01%, -10 dBu, 1 kHz, unity gain, 20 kHz BW, unwtd |
Dynamic Range |
115 dB, 1 kHz, unity gain, 20 kHz BW, A-wtd 107 dB, 1kHz, unity gain, 20 kHz BW, unwtd |
Input Impedance |
1.3 kΩ |
Phantom Power |
+48 VDC, 10 mA |
Instrument Input |
Connector Type |
¼” TS, female, unbalanced |
Input Impedance |
1 MΩ |
Analog Output |
Connector Types |
XLR, male, balanced ¼” TS, female, unbalanced |
Maximum Output |
+20 dBu |
Output Impedance |
51Ω |
Power |
External Power Adapter |
+12 VDC, 1A, center-pin positive |
PSU Barrel Dimensions |
5.5 mm O.D., 2.1 mm I.D., 9.5 mm length |
Physical |
Dimensions |
1/3U rack-mountable (screw-mount to standard rack tray, not included) |
Height |
1.75” (44.45 mm) |
Depth |
5.5” (139.7 mm) |
Width |
5.5” (139.7 mm) |
Weight |
5 lb. (2.27 kg) |
As a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein at any time, without notification. |
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Features
- XMAX™ Class A preamp input stage
- 12AX7 dual-servo vacuum tube output stage
- Input Gain control
- 48V phantom power
- 80 Hz high-pass filter
- -20 dB pad
- Instrument input select
- Polarity-reverse switch
- Backlit VU meter
- Clip LED
- Input/Output
- 1 unbalanced ¼” instrument input
- 1 balanced XLR mic input
- 1 unbalanced ¼” line output
- 1 balanced XLR line outp
- Physical
- Compact 1/3U rack-mount chassis
- External 12 VDC, 1A power supply
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